{"id":335,"date":"2024-10-10T19:13:08","date_gmt":"2024-10-10T19:13:08","guid":{"rendered":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/?p=335"},"modified":"2024-10-22T02:11:21","modified_gmt":"2024-10-22T02:11:21","slug":"vuyelwa-gladys-mapitlula-a-journey-of-musical-excellence","status":"publish","type":"post","link":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/2024\/10\/10\/vuyelwa-gladys-mapitlula-a-journey-of-musical-excellence\/","title":{"rendered":"Vuyelwa Gladys Mapitlula: A Journey of Musical Excellence."},"content":{"rendered":"\n
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Vuyelwa Gladys Mapitlula, hailing from the village of Mapitlula in Bolobedu South, Tzaneen, Limpopo, is a celebrated figure in South African music. Her contributions to Xitsonga disco over nearly three decades have made her a key player in the genre, with her soulful voice and captivating stage presence.<\/p>\n\n\n\n

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Mapitlula’s musical journey began in 1988, when the late Peta Teanet, an influential South African musician, recognized her talent while she sang in her church choir. Despite her shy nature, Teanet saw her potential and invited her to Johannesburg to join him in recording his debut album. This trip marked the start of a remarkable career for Vuyelwa.<\/p>\n\n\n\n

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Her breakthrough came in 1989 with her debut solo album, produced by Teanet, which sold over 50,000 copies. This success established her as a solo artist and a pioneer of Xitsonga disco music. Mapitlula has since committed her career to uplifting Xitsonga music and nurturing the next generation of talent.<\/p>\n\n\n\n

In 1990, she received her first platinum disc, which she considers her proudest moment. The recognition only fueled her passion for the industry. Following Teanet’s tragic passing in 1996, Vuyelwa founded VGM Records<\/strong>, where she produced and mentored artists like Doc Oumega. After a brief hiatus, she made a strong comeback in 2014 with her album Antonio<\/em>, followed by Yisukile<\/em> in 2015, which won her the MLFM Xitsonga Music Award for Best Disco Song.<\/p>\n\n\n\n

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Over the years, Vuyelwa has continued to release music and perform, with notable albums like Marhandi<\/em> (2017) and Mahluva<\/em> (2019). Her most recent work, the single Motho wa motho<\/em> released in 2020, showcases her lasting influence in the industry. She credits her success to the unwavering support of her fans and emphasizes that education is the key to personal and professional success.<\/p>\n\n\n\n

Awards and Recognition<\/strong> Mapitlula’s contributions have earned her numerous accolades:<\/p>\n\n\n\n

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  • 2006<\/strong> MLFM Best Xitsonga Female Artist of the Year<\/li>\n\n\n\n
  • 2007<\/strong> MLFM Best Xitsonga Female Artist of the Year<\/li>\n\n\n\n
  • 2008<\/strong> MLFM Best Xitsonga Female Artist of the Year & Artist of the Year<\/li>\n\n\n\n
  • 2013<\/strong> Sekgosese FM Appreciation Award<\/li>\n\n\n\n
  • 2015<\/strong> MLFM Best Xitsonga Disco Artist of the Year<\/li>\n\n\n\n
  • 2022<\/strong> MLFM Living Legend Award<\/li>\n\n\n\n
  • 2023<\/strong> Renesa Pula Living Legend Award<\/li>\n<\/ul>\n\n\n\n

    Nominations<\/strong><\/p>\n\n\n\n

      \n
    • 2006\u20132008<\/strong> MLFM Best Xitsonga Female Artist of the Year<\/li>\n\n\n\n
    • 2014, 2015, 2020<\/strong> MLFM Best Xitsonga Disco Artist of the Year<\/li>\n<\/ul>\n\n\n\n

      With a career defined by passion, perseverance, and a commitment to the Xitsonga music tradition, Vuyelwa Gladys Mapitlula remains a living legend in South African music.<\/p>\n\n\n\n

      Contact Information<\/strong><\/p>\n\n\n\n

        \n
      • Contact Person:Vuyelwa Maputlula<\/li>\n\n\n\n
      • Tel: +27 82 358 5633<\/li>\n\n\n\n
      • Email:vuyelwamaputlula@gmail.com <\/li>\n<\/ul>\n\n\n\n

        <\/p>\n\n\n\n

        <\/p>\n","protected":false},"excerpt":{"rendered":"

        Vuyelwa Gladys Mapitlula, hailing from the village of Mapitlula in Bolobedu South, Tzaneen, Limpopo, is a celebrated figure<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-335","post","type-post","status-publish","format-standard","hentry","category-news-news"],"_links":{"self":[{"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/posts\/335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/comments?post=335"}],"version-history":[{"count":2,"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/posts\/335\/revisions"}],"predecessor-version":[{"id":362,"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/posts\/335\/revisions\/362"}],"wp:attachment":[{"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/media?parent=335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/categories?post=335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vision4afrikanowmedia.co.za\/Newspaper\/wp-json\/wp\/v2\/tags?post=335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}